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Δαι μουσικές (daeman's tunes)
- Thread starter daeman
- Start date
...
Soul Makossa (1972) - Manu Dibango
Ένα καμερουνέζικο λιοντάρι, indomptable.
01 00:00 Soul Makossa / 02 04:29 Lily / 03 07:32 Dangwa 'Three Points' / 04 13:32 O Boso / 05 18:54 New-Bell 'Hard Pulsation' /
06 25:42 Nights In Zeralda / 07 30:18 Hibiscus
Makossa, which means "(I) dance" in the Duala language, originated from a Duala dance called the kossa. Emmanuel Nelle Eyoum started using the refrain kossa kossa in his songs with his group Los Calvinos. The style began to take shape in the 1950s though the first recordings were not seen until a decade later. Artists such as Eboa Lotin, Misse Ngoh and especially Manu Dibango, who popularised makossa throughout the world with his song "Soul Makossa" in the early 1970s.
Makossa is a noted Cameroonian popular urban musical style. Like much other late 20th century music of Sub-Saharan Africa it was influenced by Congolese soukous, as well as by jazz, ambasse bey, Latin music and highlife. It uses strong electric bass rhythms and prominent brass. In the 1980s makossa had a wave of mainstream success across Africa and to a lesser extent abroad.
Soul Makossa (1972) - Manu Dibango
Ένα καμερουνέζικο λιοντάρι, indomptable.
01 00:00 Soul Makossa / 02 04:29 Lily / 03 07:32 Dangwa 'Three Points' / 04 13:32 O Boso / 05 18:54 New-Bell 'Hard Pulsation' /
06 25:42 Nights In Zeralda / 07 30:18 Hibiscus
Makossa, which means "(I) dance" in the Duala language, originated from a Duala dance called the kossa. Emmanuel Nelle Eyoum started using the refrain kossa kossa in his songs with his group Los Calvinos. The style began to take shape in the 1950s though the first recordings were not seen until a decade later. Artists such as Eboa Lotin, Misse Ngoh and especially Manu Dibango, who popularised makossa throughout the world with his song "Soul Makossa" in the early 1970s.
Makossa is a noted Cameroonian popular urban musical style. Like much other late 20th century music of Sub-Saharan Africa it was influenced by Congolese soukous, as well as by jazz, ambasse bey, Latin music and highlife. It uses strong electric bass rhythms and prominent brass. In the 1980s makossa had a wave of mainstream success across Africa and to a lesser extent abroad.
Ορίστε και τα δύο που έλειπαν, το ένα με τον Σαντάνα - Καρλίτο ακόμη, ακούγεται όμως ο Κάρλος:
Sonny Boy Williamson
και το άλλο με τον Έλβιν Μπίσοπ, No More Lonely Nights
...
Κι ένα από τα καμάρια της συλλογής μου, βινύλιο ακριβοπληρωμένο τότε που σκαλίζαμε σε κάθε υπόγειο (ή όχι) να βρούμε δίσκους «εισαγωγής», σπάνιους, δυσεύρετους και όχι γκρεκογραμμένους, από δοχεία συγκοινωνούντα με τα αποπάνω, τους Electric Flag, το γκρουπ που έστησε ο Μπλούμφιλντ όταν άφησε τον Μπάτερφιλντ. Ο δεύτερος δίσκος τους - ο πρώτος τους ήταν το σάουντρακ της καλτ ταινίας The Trip, πρόδρομης του Easy Rider, από τον Ρότζερ Κόρμαν με τον Πίτερ Φόντα και τον Ντένις Χόπερ - ένα φιλόδοξο αμάλγαμα σόουλ, μπλουζ, ροκ και πνευστών, σε αρκετά σημεία πετυχημένο, ιδίως στο παραδοσιακό, παλιό καλόκρασί Wine:
A Long Time Comin' (1968) - Electric Flag
Mike Bloomfield – guitar, vocals / Buddy Miles – drums, vocals / Barry Goldberg – keyboards / Harvey Brooks – bass
Nick Gravenites – vocals, guitar / Herb Rich – organ, baritone saxophone, guitar, vocals / Michael Fonfara – Keyboards
Marcus Doubleday – trumpet / Peter Strazza – tenor saxophone / Stemsy Hunter – alto saxophone
Richie Havens – Percussion, Sitar / Sivuca – Guitar, Percussion / Paul Beaver – Keyboards, Moog Synthesizer
Leo Daruczek, Charles McCracken, Bobby Notkoff, Julius Held – Strings
Side One
1. Killing Floor (Chester "Howlin' Wolf" Burnett) / 2. Groovin' Is Easy (Nick Gravenites) 4:11
3. Over-Lovin' You (Mike Bloomfield, Barry Goldberg) 7:18 / 4. She Should Have Just (Ron Polte) 9:30 / 5. Wine (Traditional) 14:34
Side Two
1. Texas (Mike Bloomfield, Buddy Miles) 17:49 / 2. Sittin' in Circles (Barry Goldberg) 22:38
3. You Don't Realize (Mike Bloomfield) 26:33 / 4. Another Country (Ron Polte) 31:29 / 5. Easy Rider (Mike Bloomfield) 40:17
CD Bonus tracks
1. Sunny (Bobby Hebb) 41:11 / 2. Mystery (Buddy Miles) 45:14 / 3. Look into My Eyes (Harvey Brooks, Buddy Miles) 48:10
4. Going Down Slow (James Oden) 51:18
Κι ένα από τα καμάρια της συλλογής μου, βινύλιο ακριβοπληρωμένο τότε που σκαλίζαμε σε κάθε υπόγειο (ή όχι) να βρούμε δίσκους «εισαγωγής», σπάνιους, δυσεύρετους και όχι γκρεκογραμμένους, από δοχεία συγκοινωνούντα με τα αποπάνω, τους Electric Flag, το γκρουπ που έστησε ο Μπλούμφιλντ όταν άφησε τον Μπάτερφιλντ. Ο δεύτερος δίσκος τους - ο πρώτος τους ήταν το σάουντρακ της καλτ ταινίας The Trip, πρόδρομης του Easy Rider, από τον Ρότζερ Κόρμαν με τον Πίτερ Φόντα και τον Ντένις Χόπερ - ένα φιλόδοξο αμάλγαμα σόουλ, μπλουζ, ροκ και πνευστών, σε αρκετά σημεία πετυχημένο, ιδίως στο παραδοσιακό, παλιό καλό
A Long Time Comin' (1968) - Electric Flag
Mike Bloomfield – guitar, vocals / Buddy Miles – drums, vocals / Barry Goldberg – keyboards / Harvey Brooks – bass
Nick Gravenites – vocals, guitar / Herb Rich – organ, baritone saxophone, guitar, vocals / Michael Fonfara – Keyboards
Marcus Doubleday – trumpet / Peter Strazza – tenor saxophone / Stemsy Hunter – alto saxophone
Richie Havens – Percussion, Sitar / Sivuca – Guitar, Percussion / Paul Beaver – Keyboards, Moog Synthesizer
Leo Daruczek, Charles McCracken, Bobby Notkoff, Julius Held – Strings
Side One
1. Killing Floor (Chester "Howlin' Wolf" Burnett) / 2. Groovin' Is Easy (Nick Gravenites) 4:11
3. Over-Lovin' You (Mike Bloomfield, Barry Goldberg) 7:18 / 4. She Should Have Just (Ron Polte) 9:30 / 5. Wine (Traditional) 14:34
Side Two
1. Texas (Mike Bloomfield, Buddy Miles) 17:49 / 2. Sittin' in Circles (Barry Goldberg) 22:38
3. You Don't Realize (Mike Bloomfield) 26:33 / 4. Another Country (Ron Polte) 31:29 / 5. Easy Rider (Mike Bloomfield) 40:17
CD Bonus tracks
1. Sunny (Bobby Hebb) 41:11 / 2. Mystery (Buddy Miles) 45:14 / 3. Look into My Eyes (Harvey Brooks, Buddy Miles) 48:10
4. Going Down Slow (James Oden) 51:18
...
Από την Ακτή του Ελεφαντοστού, ο Alpha Blondy τραγουδάει πάντα δροσερά αν και συχνά αιχμηρά, στη γλώσσα του,
τη Ντιούλα (Dyoula, Dioula, Jula), και στα αγγλικά, τα γαλλικά, καμιά φορά και στα αραβικά και τα εβραϊκά.
The Best Of Alpha Blondy
1. Cocody Rock (with the Wailers) / 2. Apartheid Is Nazism / 3. Come Back Jesus / 4. Jerusalem / 5. Politiqui
6. Sweet Fanta Diallo / 7. Banana / 8. Cafe Cacao / 9. Masada / 10. Rendez-Vous / 11. Yeye / 12. Fulgence Kassy
13. Amour Papier Longueur / 14. Rendez-Vous (Cool Summer Mix)
Από την Ακτή του Ελεφαντοστού, ο Alpha Blondy τραγουδάει πάντα δροσερά αν και συχνά αιχμηρά, στη γλώσσα του,
τη Ντιούλα (Dyoula, Dioula, Jula), και στα αγγλικά, τα γαλλικά, καμιά φορά και στα αραβικά και τα εβραϊκά.
The Best Of Alpha Blondy
1. Cocody Rock (with the Wailers) / 2. Apartheid Is Nazism / 3. Come Back Jesus / 4. Jerusalem / 5. Politiqui
6. Sweet Fanta Diallo / 7. Banana / 8. Cafe Cacao / 9. Masada / 10. Rendez-Vous / 11. Yeye / 12. Fulgence Kassy
13. Amour Papier Longueur / 14. Rendez-Vous (Cool Summer Mix)
Bonus tracks: Black and Blue (1976) - The Rolling Stones.
Hot stuff at the Memory Motel, crazy mama :up::
01 00:00 Hot Stuff / 02 05:20 Hand of Fate / 03 09:46 Cherry Oh Baby / 04 13:40 Memory Motel / 05 20:46 Hey Negrita
06 25:42 Melody / 07 31:29 Fool to Cry / 08 36:33 Crazy Mama
Bonus Licks: Dirty Licks (2002-2003)
1. Street Fighting Man 00:00 / 2. Don't Stop 4:01 (Fleet Center, Boston, September 3, 2002)
3. Can't You Hear Me Knocking 8:20 (Roseland Ballroom, New York, September 30, 2002)
4. Angie 19:09 (Turner Field, Atlanta, Georgia, October 26, 2002)
5. Going To A Go Go 22:49 (Wiltern Rehearsal)
6. Jumpin' Jack Flash 23:29 (Wiltern Theater, Los Angeles, November 4, 2002)
7. Thru And Thru 27:12 (Oakland Arena, California, November 12, 2002)
8. Dead Flowers 33:25 (MGM Grand, Las Vegas, November 30, 2002)
9. Monkey Man 37:30 (Bell Centre, Montreal, Canada, January 8, 2003)
10. Live With Me 41:11 (United Center, Chicago, January 21, 2003)
11. Rock Me Baby 45:04 (Enmore Theater, Sydney, Australia, February 18, 2003)
12. Tumbling Dice 50:32 (Budokan, Tokyo, March 10, 2003)
13. When The Whip Comes Down 57:32 (Tokyo Dome, Japan, March 16, 2003)
14. Miss You 1:02:08 (Palace Grounds, Bangalore, India, April 4, 2003)
15. Start Me Up 1:08:29 / 16. You Got Me Rocking 1:12:59 (Estadio Vincente Caleron, Madrid, Spain, June 27, 2003)
Bonus pebbles, B-sides and rarities:
...
Blind Faith
Side One
01 00:00 Had to Cry Today / 02 08:48 Can't Find My Way Home / 03 12:03 Well All Right / 04 16:28 Presence of the Lord
Side Two
05 21:18 Sea of Joy / 06 26:40 Do What You Like
Deluxe Edition Bonus Tracks
07 42:00 Sleeping in the Ground / 08 44:50 Can't Find My Way Home (Electric Version) / 09 50:32 Acoustic Jam
10 01:06:24 Time Winds / 11 01:09:41 Sleeping in the Ground (Slow Blues Version)
Blind faith in Hyde Park 1969
Got my Mojo quaking
Hope it works for you
Blind Faith
Side One
01 00:00 Had to Cry Today / 02 08:48 Can't Find My Way Home / 03 12:03 Well All Right / 04 16:28 Presence of the Lord
Side Two
05 21:18 Sea of Joy / 06 26:40 Do What You Like
Deluxe Edition Bonus Tracks
07 42:00 Sleeping in the Ground / 08 44:50 Can't Find My Way Home (Electric Version) / 09 50:32 Acoustic Jam
10 01:06:24 Time Winds / 11 01:09:41 Sleeping in the Ground (Slow Blues Version)
Blind faith in Hyde Park 1969
Got my Mojo quaking
Hope it works for you
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...
Stop Making Sense, the movie - Talking Heads, Jonathan Demme
"Brilliantly conceived, shot, edited and performed... one of the greatest rock movies ever made."
~Leonard Maltin
"The overwhelming impression throughout Stop Making Sense is of enormous energy, of life being lived at a joyous high...
It's a live show with elements of Metropolis... But the film's peak moments come through Byrne's simple physical presence.
He jogs in place with his sidemen; he runs around the stage; he seems so happy to be alive and making music...
He serves as a reminder of how sour and weary and strung-out many rock bands have become."
~Roger Ebert
"Riveting... What takes place on stage will make even the most skeptical into Talking Heads converts...
The performances are invariably exciting, Byrne's lyrics are intriguing. Byrne, his head moving rhythmically as if he had just had shock treatments, is spellbinding - what a talent! ... Byrne is known for his belief that music should be performed in an interesting, visual manner, and this should make him proud."
~Danny Peary
Stop Making Sense, the movie - Talking Heads, Jonathan Demme
"Brilliantly conceived, shot, edited and performed... one of the greatest rock movies ever made."
~Leonard Maltin
"The overwhelming impression throughout Stop Making Sense is of enormous energy, of life being lived at a joyous high...
It's a live show with elements of Metropolis... But the film's peak moments come through Byrne's simple physical presence.
He jogs in place with his sidemen; he runs around the stage; he seems so happy to be alive and making music...
He serves as a reminder of how sour and weary and strung-out many rock bands have become."
~Roger Ebert
"Riveting... What takes place on stage will make even the most skeptical into Talking Heads converts...
The performances are invariably exciting, Byrne's lyrics are intriguing. Byrne, his head moving rhythmically as if he had just had shock treatments, is spellbinding - what a talent! ... Byrne is known for his belief that music should be performed in an interesting, visual manner, and this should make him proud."
~Danny Peary
...
Mαντινάδες πουλώ - Χαΐνηδες
Σκολιανή φορεσά
χασεδένιος ο πάγκος
ξημερώματα
κι ο κόσμος χίλια χρώματα
Μαντινάδες πουλώ
με τη ζάχαρη απόξω
πάρε, κόσμε, πολλές
μαντινάδες καλές
δεν είναι και ζημιά
δυο δεκάρες η μια
Για μια αγάπη παλιά
που την πήραν τ' αστέρια
γέμισα καημούς τη νύχτα
κι αναστεναγμούς
Έχω ωραίο χτικιό
μ' αναμνήσεις και βήχα
ποιος ψεγάδι μπορεί
στο χτικιό μου να βρει
πάρε, κόσμε, πολλές
μαντινάδες καλές
Τ' όνειρο μιας αυγής
που 'χε η νιότη λατρέψει
μην το σκέφτεσαι
μικιό μου, και πικραίνεσαι
Να 'χαμε ένα ακριβό
παραμύθι τσι νύχτες
θά 'τανε οι καρδιές
σαν τ' αλώνια φαρδιές
πάρε, κόσμε, πολλές
μαντινάδες καλές
Γέρνει ο ήλιος κι εγώ
μοναχός φεύγω πάλι
με προσμένουν να γυρίσω
μέρη μακρινά
Με φεγγάρι θολό
και βουβό μεσονύχτι
θα με φέρει η νοθιά
σε μια ανάσα βαθιά
να σου δώσω πολλές
μαντινάδες να λες
Mαντινάδες πουλώ - Χαΐνηδες
Σκολιανή φορεσά
χασεδένιος ο πάγκος
ξημερώματα
κι ο κόσμος χίλια χρώματα
Μαντινάδες πουλώ
με τη ζάχαρη απόξω
πάρε, κόσμε, πολλές
μαντινάδες καλές
δεν είναι και ζημιά
δυο δεκάρες η μια
Για μια αγάπη παλιά
που την πήραν τ' αστέρια
γέμισα καημούς τη νύχτα
κι αναστεναγμούς
Έχω ωραίο χτικιό
μ' αναμνήσεις και βήχα
ποιος ψεγάδι μπορεί
στο χτικιό μου να βρει
πάρε, κόσμε, πολλές
μαντινάδες καλές
Τ' όνειρο μιας αυγής
που 'χε η νιότη λατρέψει
μην το σκέφτεσαι
μικιό μου, και πικραίνεσαι
Να 'χαμε ένα ακριβό
παραμύθι τσι νύχτες
θά 'τανε οι καρδιές
σαν τ' αλώνια φαρδιές
πάρε, κόσμε, πολλές
μαντινάδες καλές
Γέρνει ο ήλιος κι εγώ
μοναχός φεύγω πάλι
με προσμένουν να γυρίσω
μέρη μακρινά
Με φεγγάρι θολό
και βουβό μεσονύχτι
θα με φέρει η νοθιά
σε μια ανάσα βαθιά
να σου δώσω πολλές
μαντινάδες να λες
...
The Inner Mounting Flame (1971) - Mahavishnu Orchestra
John McLaughlin: guitar / Rick Laird: bass / Billy Cobham: drums, percussion
Jan Hammer: keyboards, organ / Jerry Goodman: violin
1. Meeting of the Spirits 6:52 / 2. Dawn 5:10 / 3. The Noonward Race 6:28 / 4. A Lotus On Irish Streams 5:39
5. Vital Transformation 6:16 / 6. The Dance of Maya 7:17 / 7. You Know You Know 5:07 / 8. Awakening 3:32
This is the album that made John McLaughlin a semi-household name, a furious, high-energy, yet rigorously conceived meeting of virtuosos that, for all intents and purposes, defined the fusion of jazz and rock a year after Miles Davis' Bitches Brew breakthrough. It also inadvertently led to the derogatory connotation of the word fusion, for it paved the way for an army of imitators, many of whose excesses and commercial panderings devalued the entire movement. Though much was made of the influence of jazz-influenced improvisation in the Mahavishnu band, it is the rock element that predominates, stemming directly from the electronic innovations of Jimi Hendrix. [...]
Aimed with absolute precision at young rock fans, this record was wildly popular in its day, and it may have been the cause of more blown-out home amplifiers than any other record this side of Deep Purple.
~Richard S. Ginell, allmusic
The Inner Mounting Flame (1971) - Mahavishnu Orchestra
John McLaughlin: guitar / Rick Laird: bass / Billy Cobham: drums, percussion
Jan Hammer: keyboards, organ / Jerry Goodman: violin
1. Meeting of the Spirits 6:52 / 2. Dawn 5:10 / 3. The Noonward Race 6:28 / 4. A Lotus On Irish Streams 5:39
5. Vital Transformation 6:16 / 6. The Dance of Maya 7:17 / 7. You Know You Know 5:07 / 8. Awakening 3:32
This is the album that made John McLaughlin a semi-household name, a furious, high-energy, yet rigorously conceived meeting of virtuosos that, for all intents and purposes, defined the fusion of jazz and rock a year after Miles Davis' Bitches Brew breakthrough. It also inadvertently led to the derogatory connotation of the word fusion, for it paved the way for an army of imitators, many of whose excesses and commercial panderings devalued the entire movement. Though much was made of the influence of jazz-influenced improvisation in the Mahavishnu band, it is the rock element that predominates, stemming directly from the electronic innovations of Jimi Hendrix. [...]
Aimed with absolute precision at young rock fans, this record was wildly popular in its day, and it may have been the cause of more blown-out home amplifiers than any other record this side of Deep Purple.
~Richard S. Ginell, allmusic
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Eυχαριστώ, Κώστα! Ό,τι έπρεπε ήταν.
Rocks in my bed
I pick in my head
the strings in this thread
hearing the red
of them roses
that led
to me rocking instead
If the river was whisky (Divin' Duck Blues) - Taj Mahal & Ry Cooder
If the river was whisky
and I was a divin' duck
I would dive to the bottom
but Lord knows I would never come up
Well now the little girl I been lovin'
She got hair that shine like Klondike gold
She got a lien on my body
Got a mortgage on my soul
Rocks in my bed
I pick in my head
the strings in this thread
hearing the red
of them roses
that ledto me rocking instead
If the river was whisky (Divin' Duck Blues) - Taj Mahal & Ry Cooder
If the river was whisky
and I was a divin' duck
I would dive to the bottom
but Lord knows I would never come up
Well now the little girl I been lovin'
She got hair that shine like Klondike gold
She got a lien on my body
Got a mortgage on my soul
...
Machete - Novalima
Novalima was created in 2001 as a musical collective by four Peruvian musicians based in several cities around the World: Ramón Perez Prieto (Lima), Grimaldo Del Solar (Barcelona), Rafael Morales (London) and Carlos Li Carrillo (Hong Kong). The four of them became friends while in high school in Lima, and shared a fascination for many types of music, such as rock, pop, salsa, reggae, dance and electronic music.
This creative core was enriched by Afro-Peruvian scene musicians, such as Milagros Guerrero, Juan Medrano (Cotito), Mangue Vásquez, Pier Padilla Vásquez, Marcos Mosquera and Constantino Álvarez.
The group came together, strangely enough, when the four founders were living in different parts of the world. From their homes in London, Barcelona, Hong Kong and Lima, they started emailing song ideas to each other. These long-distance experiments resulted in their 2002 debut album, the self-titled Novalima.
Machete - Novalima
Novalima was created in 2001 as a musical collective by four Peruvian musicians based in several cities around the World: Ramón Perez Prieto (Lima), Grimaldo Del Solar (Barcelona), Rafael Morales (London) and Carlos Li Carrillo (Hong Kong). The four of them became friends while in high school in Lima, and shared a fascination for many types of music, such as rock, pop, salsa, reggae, dance and electronic music.
This creative core was enriched by Afro-Peruvian scene musicians, such as Milagros Guerrero, Juan Medrano (Cotito), Mangue Vásquez, Pier Padilla Vásquez, Marcos Mosquera and Constantino Álvarez.
The group came together, strangely enough, when the four founders were living in different parts of the world. From their homes in London, Barcelona, Hong Kong and Lima, they started emailing song ideas to each other. These long-distance experiments resulted in their 2002 debut album, the self-titled Novalima.