Δαι μουσικές (daeman's tunes)

daeman

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Quadrophenia - The Who


I Am the Sea / The Real Me / Quadrophenia / Cut My Hair / The Punk and the Godfather / I'm One / The Dirty Jobs / Helpless Dancer / Is It in My Head? / I've Had Enough / 5:15 / Sea and Sand / Drowned / Bell Boy / Doctor Jimmy / The Rock / Love, Reign O'er Me
 
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daeman

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Goin' Down Slow - Electric Flag

Mike Bloomfield, Barry Goldberg, Buddy Miles, Nick Gravenites, Harvey Brooks
 

daeman

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Home is where the heart is - Lene Lovich :whistle:


Home is where the heart is
Home is so remote
Home is just emotion
Sticking in my throat

Let's go to your place
Let's go to your place

Home is where the heart is
Home is so remote
Home is just emotion
Sticking in my throat
Home is hard to swallow
Home is like a rock
Home is good clean living
Home is - I forgot

Let's go to your place
Let's go to your place

Home is so suspicious
Home is close control
Home is will you miss us
Home is - I don't know

Let's go to your place
Let's go to your place

Home is aggravation
Home is so much fuss
Home is mind your business
Thank you very much

Let's go to your place
Let's go to your place

I don't want to go back
I don't want to go back
I don't want to go back any more
 
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daeman

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200 Motels


200 Motels is a 1971 American-British musical surrealist film cowritten and directed by Frank Zappa and Tony Palmer and starring The Mothers of Invention, Theodore Bikel and Ringo Starr. The film covers a loose storyline about The Mothers of Invention going crazy in the small town Centerville. A soundtrack album was released in the same year. 200 Motels was filmed in a week at Pinewood Studios outside London, and featured The Royal Philharmonic Orchestra and Keith Moon.

The film deals loosely with life on the road as a rock musician. The Mothers of Invention go crazy in the small town Centerville, and bassist Jeff quits the group, as did his real life counterpart, Jeff Simmons, who left the group before the film began shooting and was replaced by actor Martin Lickert for the film. The style of the film has been compared to a "surrealistic documentary".
 
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daeman

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Upon the my oh my - Captain Beefheart



Nowadays a woman's got to hit a man

 
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daeman

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Won't get fooled again - The Who



We'll be fighting in the streets
With our children at our feet
And the morals that they worship will be gone
And the men who spurred us on
Sit in judgment of all wrong
They decide and the shotgun sings the song

I'll tip my hat to the new constitution
Take a bow for the new revolution
Smile and grin at the change all around me
Pick up my guitar and play
Just like yesterday
And I'll get on my knees and pray
We don't get fooled again
Don't get fooled again

Change it had to come
We knew it all along
We were liberated from the fall that's all
But the world looks just the same
And history ain't changed
'Cause the banners, they all flown in the last war

I'll tip my hat to the new constitution
Take a bow for the new revolution
Smile and grin at the change all around me
Pick up my guitar and play
Just like yesterday
And I'll get on my knees and pray
We don't get fooled again
Don't get fooled again
No, no!

I'll move myself and my family aside
If we happen to be left half alive
I'll get all my papers and smile at the sky
For I know that the hypnotized never lie

Do ya?

There's nothing in the street
Looks any different to me
And the slogans are replaced, by-the-bye
And the parting on the left
Is now the parting on the right
And the beards have all grown longer overnight

I'll tip my hat to the new constitution
Take a bow for the new revolution
Smile and grin at the change all around me
Pick up my guitar and play
Just like yesterday
Then I'll get on my knees and pray
We don't get fooled again
Don't get fooled again
No, no!

YAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAH!

Meet the new boss
Same as the old boss

Townshend stated in 2006 that: "It is not precisely a song that decries revolution – it suggests that we will indeed fight in the streets – but that revolution, like all action, can have results we cannot predict. Don't expect to see what you expect to see. Expect nothing and you might gain everything. The song was meant to let politicians and revolutionaries alike know that what lay in the centre of my life was not for sale, and could not be co-opted into any obvious cause."
 

daeman

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Πολυξένη - Δημήτρης Πουλικάκος


Μουσική: Socos / Στίχοι: Νίκος Εγγονόπουλος
 
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